To leave or reply comments, please download free Podbean App. Suger & Spice Interrupt and George Palma bring you six tracks of quality digital reggae in a combination from England to SpainBeatie Boys Stop This Train (dnb re rub). Me No Want To Mean Dancehall 3. In A Rub a Dub Style EP (Free Download) by Interrupt & George P, released 07 September 2013 1.
![]() Rub A Dub Riddim Free Podbean AppOver the next 40 years or so the term found its way into audio recording in general, often in the context of making a copy of a recording on another tape or disc.It was in this sense that the term was first used in the Jamaican recording industry: new recordings were often initially copied onto one-off acetate discs, known colloquially as soft wax or dub and later as dubplates, for exclusive use by sound system operators playing a song as an exclusive recording on a sound system was a good way for a producer to test the potential popularity of a recording before committing to the pressing of hundreds or thousands of copies of singles for retail sale. 4.2 Influence of dub on punk and rock musicThe use of the word dub in a recording context originated in the late 1920s with the advent of "talking pictures" and referred to adding a soundtrack to a film it is an informal abbreviation of the word double. 3.2 Evolution of dub as a subgenre (1970s) Ruddy use to handle that part himself, drop in the voice and drop it out. Or.down in the tune, bring a little voice and drop it out again.yes. 'Im didn't do no more like that yet."After describing how Redwood then had his deejay first play the vocal version and then the instrumental version at a dance, and how popular this novelty was, Lee continued,"The next day now, 'im start it and just bring in the riddim. 'Im say, alright, run it again, and put in the voice. One day an incident: Ruddy's (sound system operator Ruddy Redwood) was cutting dub, an when it start, Smithy (recording engineer Byron Smith) look like 'im start bring on the voice and Ruddy's say: no, mek it run and 'im take the whole backing track off it. Best word program for mac freeThe most frequent meanings referred to either a form of erotic dance or sexual intercourse such usage is frequently present in names of reggae songs, for instance, of The Silvertones' "Dub the Pum Pum" (where pum pum is Jamaican slang for female genitalia), Big Joe and Fay's "Dub a Dawta" ( dawta is Jamaican patois for daughter). It is possible that the existing use of the word dub for other meanings in Jamaica around the time of the music's origin may have helped to cement its use in the musical context. Drummer Sly Dunbar similarly points to a usage of the related term dubwise to mean using only drums and bass. From the concept of a version with some or all of the vocal mixed out dubbed to acetate, the novelty-hungry sound system scene rapidly drove the evolution of increasingly creative mixes in the first few years of the 1970s, and within a few years the term dub became attached to these regardless of whether they were on an exclusive acetate or "dubplate".As the use of the term widened and evolved, Bob Marley and The Wailers used the order " dub this one!" in live concerts to mean, "put an emphasis on bass and drums". This progressed from the late 1950s onwards via having local musicians record a song exclusively for play on a particular sound system to having exclusive mixes of a song on acetate, which became possible with the arrival of multi-track recording in Jamaica. The music sometimes features other noises, such as birds singing, thunder and lightning, water flowing, and producers shouting instructions at the musicians. The partial or total removal of vocals and other instruments tends to emphasise the bass guitar. The instrumental tracks are typically treated with sound effects such as echo, reverb, with instruments and vocals dropping in and out of the mix. These "versions" were used as the basis of new songs by rerecording them with new elements. A "version" is an alternative cut of a song made for the DJ to "toast" over (a form of Jamaican rapping), usually with some or all of the original vocal removed. ![]() In the 1970s, LPs of dub tracks began to be produced these could be, variously: a collection of new dub mixes of riddims previously used on various singles, usually by a single producer the dub version of an existing vocal LP with dub mixes of all the tracks or, least commonly, a selection of previously unissued original riddims mixed in a dub style.Lee "Scratch" Perry was an early pioneer of the genreDub music and toasting introduced a new era of creativity in reggae music. The version was typically the B-side of a single, and used for experimenting and providing something for DJs to talk over, while the A-side was more often dedicated to the original vocal-oriented track. A version was also an opportunity for a producer or remix engineer to experiment and express their more creative side.
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